Wednesday, January 28, 2015

Webtoons - Cho Seok's Sound of Your Heart

Korean Webtoons in English

In yesterday's JoongAng Daily, I was surprised to see an article by Hong Joo-Hee and Jin Eun-Soo titled "Webtoons aim to draw in more overseas readers" reporting on Korean webtoons in English. What especially interested me was Cho Seok's Sound of Your Heart because it's my son En-Uk's favorite webtoon. For two or three years now, En-Uk's been coming up to me and showing me the series in Korean, which he tries to translate into English, not always with perfect success, but the humor comes through. Oddly, despite its prominence in the image above. nothing is said about The Sound of Your Heart in the article.

Let's therefore go to the website and see more:


The site says this:
While it may seem like a mere depiction of everyday life, The Sound of Your Heart is a comedy filled to the brim with wit, sarcasm and parody. It gives no regard for the probable or realistic - it is a series of absurd situations that is sure to get a laugh out of every reader willing to suspend their sense of reality.
That certainly fits what En-Uk has been translating for me! Check it out - in English!

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Wednesday, March 19, 2014

Gaiman's Sandman

The Sandman No. 1

I very recently read the first issue of Neil Gaiman's comic book The Sandman. I'd been looking for books in English for my son En-Uk to read, as I believe I may have mentioned. I usually like Gaiman's stories, and Sandman comes highly recommended, e.g., by Norman Mailer, who said:
Sandman is a comic strip for intellectuals, and I say it's about time.
I found that quote in Nick Clark's article from two years ago, "Comic strip for intellectuals: Gaiman announces surprise Sandman prequel" (The Independent, July 13, 2012), but Mailer must have uttered it some time before he actually died, back in 2007.

My response to this first one is mixed. The beginning was a sprawling, very confusing mess (hence a need for the prequel mentioned by Clark, I suppose), and the middle threatened to get mixed up with the superheros of the Justice League -- would Superman fit with a character such as Morpheus, a.k.a. the Sandman? But the story eluded that error (save for a brief encounter with "The Martian") and moved in more mythic realms, sort of.

Anyway, I warned En-Uk about the confusing beginning, and he later agreed with me on that but is still reading this comic for intellectuals, so maybe it will lead him toward greater literature . . .

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Friday, November 30, 2012

"Small World" - That's Why We Need to Protect It

I saw this article in the Korea Times yesterday, "Korea selected as council member for chemical weapons treaty" (November 28, 2012):
Korea has been re-elected to an executive council of the Chemical Weapons Convention, Seoul's foreign ministry said Wednesday. The convention, which took effect in 1997, is an arms control agreement which outlaws the production, stockpiling and use of chemical weapons. The convention is administered by the Organization for the Prohibition of Chemical Weapons, an independent entity based in The Hague, Netherlands, and has 188 member states. During the Conference of the States Parties held there, Korea became one of 21 members of the executive council for the May 2013-May 2015 term, according to the ministry. The council plays a role in verifying the scrapping of chemical weapons, implementing international agreements and supervising the management of its secretariat, it added. "As the country having the world's sixth-largest chemical industry, Korea has served as a member of the executive council since the convention took effect, and continues to strive to play a key role in scrapping chemical weapons and urging non-member countries to join the move," the ministry said in a statement.
That reminded me of two things: first, that one of my childhood friends is head of the Industry Verification Branch at the Organisation for the Prohibition of Chemical Weapons, which is located in The Hague Area of the Netherlands; and second, that when my friend took the job a couple of years ago, she asked my then-eleven-year-old son to create some artwork on the danger of chemicals, so he did:

Chemical 1
En-Uk Sequoya Hwang

Chemical 2
En-Uk Sequoya Hwang

Chemical 3
En-Uk Sequoya Hwang

Chemical 4
En-Uk Sequoya Hwang

Chemical 5
En-Uk Sequoya Hwang

My friend liked the result and wrote these words in response:
I like them all! The face in the beaker (#1) is a bit scary. I think he has a future in flag design. They seem to be the colors and shapes of many countries' flags.

He got the idea pretty clearly, didn't he? He has . . . [a way] of making something simple represent a complex circumstance. Does he have description for the symbols? What are the oblong things that look like bar codes?
En-Uk never did explain himself . . . but artists don't have to. Anyway, I wrote an email to my friend yesterday, providing a link to the Korea Times article, and she wrote back:
Yes, this is my work. I just finished a big annual "Conference of States Parties" today. They just approve what the smaller "Executive Council" forwards to them from their 3-4 meetings per year. The EC is made up of 42 of the 188 member states and has a rotating representation, so Korea will function as one of the representatives of the Asian group. I see them occasionally.

Small world.
Yeah, it is a small world. That's why we need to protect it . . .

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Thursday, August 30, 2012

En-Uk's Art Blog: "Bird" and "Fish Tree"!

We've not looked at my son En-Uk's Art Blog for the longest time, so let's take a gander. We first see "Bird":


According to En-Uk's blog entry:
This drawing is called "Bird." I made this drawing because I like this bird head. The bird is very smart. The birds brain is bigger than a persons brain. The birds name is "bird." It has a very big beak. It will soar a lot. It might bite if you get close to it. This bird lives in En-ukistan, and it's 10 years old. It eats people (if it can). It is 10 feet tall, and it weighs 20 kg. It is very tall. It likes to eat cake. It can eat chocolate. It can't eat an owl. This bird was first born on a planet called En-ukistain. The planet is very big. It is bigger than Korea! Ha! Ha! The planet has a animal called En-Uk. This animal is very strong and smart. It is stronger than any other animal in this world. It can kill any thing if it wants to, but because it is very nice, it doesn't kill people. Bye.
I don't wonder that it might bite people who get too close since it eats people! Yet . . . it doesn't kill people? Hmmm . . . it must eat them alive. Its cognitive capacity also sheds a whole nother light on "birdbrain"! Yet, it cannot eat an owl? The owls of En-Ukistan must be very tough! But enough of these details, which are for the birds. Let's now turn our eyes toward "Fish Tree":


Here's what En-Uk tells us about this creature:
This drawing is called "Fish Tree." I made this drawing because this is a mutant. It is half tree, half fish. It likes to eat fish and trees. It is three meters long. It is as tall as a fish tree. It can be stronger than a person. It is big enough to kill a fish tree. It can be as strong as a fish tree. Bye.
I see En-Uk is into tautological 'thinking.' Anyway, this tree is about the size of the bird in the image above . . . rather small for a tree, but quite large for a fish!

These two images raise questions about the nature of art. The first is more visually interesting for me, but the second gains something aesthetic from its title, "Fish Tree." I'm not certain where to go with these points, however, except to note that Conceptual artists played with ironic titles, as did the Dadaists, . . .

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Wednesday, February 08, 2012

En-Uk's Small Eyes


This drawing titled Small Eyes by my twelve-year-old son, En-Uk, reminds me of some African sculpture, though not quite this Yoruba piece:



I know that I've seen some African sculpture with a longer neck that En-Uk's piece recalls, not that he was influenced.

Any readers who can help?

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Tuesday, November 22, 2011

Pinokio: More Art from En-Uk

Pinokio

My artistically inclined son has recently posted an intriguing image and 'explanation' on his art blog. The image is the one above, titled "Pinokio" and thereby distinguished, sort of, from the literary figure Pinocchio, yet sharing with the latter some generic characteristics, as we see from En-Uk's description:
This drawing is called "Pinokio." I made this drawing because I read Pinokio a lot when I was young, and because it is kind of funny that if you lie then the nose gets bigger. The pinokio that I drew is blind. If you look at the eyes, then you can see that his eyes are closed. I think this pinokio is ugly. This pinokio is from En-Ukistan, and there are a lot of pinokios there. Ugly pinokios, and handsome pinokios . . . I think En-Ukistan is the best place to live. I wish some people would come to En-Ukistan. This pinokio is a boy, but pinokios are really hard to distinguish as man or woman. It's a hard life for pinokios. If a pinokio wants to become a person, it has to eat grass for 2000 years, but they usually die before the 2000th year. Well, I don't have anything to say anymore, so I guess bye!
Apparently, En-Uk read about Pinokio a lot when he was younger, but he must have been reading stories in Korean because I didn't know anything about this, which would also explain En-Uk's transliteration of the name, rather than the correct spelling "Pinocchio." Interestingly, En-Uk has worked in some Korean mythology, an allusion to the foundational myth of the Korean people, according to which, a bear and a tiger asked the god of the heavens for permission to become human, but only the bear succeeded in the assigned task of eating solely garlic and mugwort for 100 days and becoming a woman, who then married a son of the heavenly god and gave birth to Dangun, the first Korean.

This art post received a couple of amusing comments, the first by our artistically gifted friend Dario Rivarossa:
Very nice story, and . . .
I read Pinokio a lot when I was young

. . . hope you will still be reading it now that you are an old man. It is a book full of wisdom.

My wife and I were also both amused that twelve-year-old En-Uk would wax nostalgic about his youth. As for the second comment, it comes from the warped mind of another artistically gifted friend, Kevin Kim:
I can imagine two Pinocchios telling lies for hours and hours, growing their noses longer and longer, and eventually engaging in amazing nose/sword fights.
Depend on Kevin for some image inventive and bizarre! For readers wishing to try their hidden hand at equally amusing remarks, click over to En-Uk's Art Blog and type away!

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Tuesday, September 13, 2011

En-Uk's Volcano

Volcano
En-Uk Sequoya Hwang
(Image from En-Uk's Art Blog)

This image was En-Uk's art post for the first day of Chuseok, Korea's Thanksgiving Harvest Festival. To explain his choice of image, En-Uk wrote:
This drawing is called "Volcano." I made this drawing because I like volcanos. Bye.
And that is En-Uk's full, total, and complete explanation as to why he chose the image of a volcano for Chuseok. I don't usually associate Korea with volcanos . . . but my son might be on to something. I can think of three important volcanos associated with Korea:
Mt. Baekdu: a mountain on the border between North Korea and China that rises to 9,003 feet (2,744 meters) and is considered by Koreans as the sacred mountain of their ancestral origins.

Mt. Halla: a mountain on Jeju Island, South Korea's nearly southernmost territory at 75 miles from the mainland (Mara Island being 5 miles further south), that rises to 6,398 feet (1,950 meters), thereby dominating the island, beloved by Koreans as a honeymoon spot.

Ulleung Island: a volcanic island 75 miles east of the Korean mainland and the easternmost territory of Korea aside from Dok Island (54 miles further east), its highest point being Seonginbong Peak, at 3,228 feet (984 meters), dominating a rugged landscape that I loved far more than Jeju Island. 
Those are three impressive volcanos associated with Korea, though there may be more that I'm unaware of. I've visited Jeju Island and Ulleung Island, but I've not yet been to Mt. Baekdu. En-Uk, being only 12, has visited just Ulleung Island. I don't know that any of these three volcanos were on En-Uk's mind as he drew and colored his volcanic image. Perhaps he simply possesses a volcanic imagination.

Speaking of high points, the four of us (my wife, our two children, and me) are going to hike one of the mountains that ring Seoul today in honor of Chuseok . . . but not a volcanic one, so far as I know.

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Thursday, June 09, 2011

Rob York on Homeschooling: Interview with the Gypsy Scholar

Sa-Rah and I
Photo by Rob York
(Image from Korea Herald)

Rob York, a reporter for the Korea Herald, interviewed me a couple of weeks ago for an article on schooling one's children at home, and it appeared yesterday in print, "Homeschooling in Korea: Two sides to consider" (June 8, 2011), albeit not in interview format.

Rob, by the way, grew up on a dairy farm in Tennessee, and I've had a bit of experience with dairy cattle myself, having helped one of my best friends back in the Ozarks with the milking on his family's dairy farm about once every couple of weeks for nearly four years, so Rob and I had some experiences in common.

Moreover, he has a personal interest in the issue of homeschooling, for he and his Korean wife have a small child and will eventually face the same issue of how to educate someone who's not a full Korean. My wife and I had taken Sa-Rah out of the Korean educational system once she reached middle school because we weren't entirely satisfied, and we had placed her in an online school that had satisfied us fairly well academically, but Sa-Rah has grown dissatisfied with online schooling because she feels isolated and . . . but I'll let Rob tell the story:
For expatriates with children to raise, living in Korea brings new educational concerns.

If they can find somewhere for their children to live, sending them to their native countries is an option. If they can afford it, the parents may try an international school. And if they feel their child is sufficiently acclimated to Korea, they may go with the public school system.

Some parents, though, try something much closer to home.
That's Rob's introduction, which is followed by the first part of his article, a section dealing with a successful case of homeschooling in Korea, but I'll skip ahead to the second part, which deals with Sa-Rah's case, though I'll have to add some clarifying details in brackets, as you'll see:
Horace Jeffery Hodges, who teaches at Ewha Womans University in Seoul and is best-known in Korea for the Gypsy Scholar blog, has been homeschooling his 14-year-old daughter, Sa-Rah Ahyoga Hwang, for three years [in an online school].

"[As for our two children,] I've been homeschooling them both in English and various things since they were tiny, but both also went to Korean elementary schools from the beginning," said Hodges, who married Hwang Sun-Ae in 1995.

"When Sa-Rah reached middle school, we decided to stop her Korean education because some of the teachers used corporal punishment, not just for infractions of the rules but for giving the incorrect answers to questions of contents."

Furthermore, Hodges wasn't happy with the lack of discussion in class and said students were able to ask few questions. So, since then Sa-Rah has been studying online through the Keystone School based in the U.S. As Hodges is a native of Arkansas, both children have dual citizenship, making it [easily] possible for him to take them out of public schooling here.

The plan had been to continue her education this way, and then begin homeschooling her little brother, 11-year-old En-Uk Sequoya Hwang when he reached middle school. However, recently their plans changed, and they intend to put Sa-Rah back into public school when she reaches the ninth grade. It's not that there weren't benefits to homeschooling -- Hodges said that Sa-Rah's research and writing skills blossomed -- but during that time she became less outgoing.

Like the Gey van Pittius family [in the first part of this article], they had worked to counteract this at least partly through churchgoing -- the family attends an international congregation -- as well as social activities and making use of her former social connections.

Still, Sa-Rah sounds ready to return to socializing the way most children her age do.

"I miss my friends and social activities we had at school," Sa-Rah said, adding that there are also academic benefits. "I like to compete, that kind of makes me want to study."

Though she is half-Korean and speaks the language, Sa-Rah does not look like her peers in the Korean public school system. Still, aside from the occasional cultural faux pas -- such as misunderstandings resulting from her looking her teachers in the eye when they talk -- she has no horror stories akin to Petro's experience [of racism].

"I did get a lot of attention, but I didn't feel anything bad," she said.

Sa-Rah's homeschooling experience [online] has required more effort [in some respects] from her parents, particularly her mother, as Hodges had already been tutoring her at home [from the time that she was little].

"I no longer have to teach every course using a textbook. I can now check her [online] work and guide her with advice, teach her how to do research and related things. That's more interesting for me, so it's easier, [even though my responsibilities are greater,]" he said.

"For my wife, it is also [generally] easier [for Sa-Rah to do her schooling online], I think, but [it] causes a bit more worry since the [American] school system is different, leaving my wife uncertain of how best to assist her[, though Sun-Ae puts in a lot of effort, of course]."

As for the expense [of online homeschooling], Hodges said that while it costs more than public education, it is less expensive than an international school in Korea. Exactly how much depends on how involved one can be with their child's education.

"If one has lots of time, [then one can homeschool the children by onself and avoid the online schools entirely, and] the expense is minor [in that case,] but [also] time-consuming since one has to teach everything," he said. "But an online school can cost a good deal, e.g., at least a couple thousand [American] dollars per year."

Despite moving on, Hodges can see an upside to homeschooling: "The benefits derive from the research-based coursework that the online school offers," he said. "The teachers stress creativity and independent thinking. I'm not yet sure[, however,] if memorization is stressed enough."

So, when she returns to her education outside the home, Hodges will continue to help her with reading, learning to research and writing essays. He also plans to continue tutoring his son in the humanities while keeping him in public school and planning for their futures.

"I'll have to maybe administer the practice tests for the PSAT," he said. "Although Korean schools seem to be good at teaching test-taking."
That's all from us. The first part of the article, on the experiences of the Gey van Pittius family, is in some ways more interesting due to the conflict that one of the daughters experienced . . . but you can go to the link to find out about that.

Incidentally, I hadn't known when the article was going to appear in print yesterday, so you can perhaps imagine my surprise at seeing the above photograph, large and clear, jump out at me when I turned to the Expat Living section of the Korea Herald as I was riding the subway to Ewha Womans University yesterday morning. Startled at seeing myself so prominently featured in a 'major' newspaper, I glanced about nervously, wondering if the other passengers had seen the paper and recognized me.

I certainly hope not, or I'll have to start being more courteous as I use the subway system. No more pushing and shoving to get on and off trains, no more grabbing seats ahead of other riders, no more ignoring people who try to engage me in a broken-English conversation.

Ah, the downside of celebrity . . .

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Sunday, May 29, 2011

En-Uk's Birthday was Yesterday . . .

En-Uk's Birthday Cake
(Image from En-Uk's Art Blog)

My eleven-year-old son, En-Uk, turned twelve yesterday, which means he's still a tween, not yet a teen. He'd invited a few friends over to celebrate, so the big table where I usually grade essays was occupied by presents and plates and platitudes. Also plenty of food.

Unable to mark the nearly 50 essays for my history class while En-Uk and his friends were running around all afternoon, I instead sat at my computer and edited three articles for the Ewha Voice, a proofreading responsibility that I've recently assumed.

The relatively good English of the articles was a relief, for I had a very different experience nearly ten years ago at Hanshin University when I provided editorial assistance to the student newspaper there. The reporters at Hanshin had first written their articles in Korean and then given me their word-for-word translations. Most of the articles were incomprehensible . . . to me. But when I asked my wife to take a look, she instantly understood and 'translated' the gibberish into standard English. That bout of editing took a lot of my time, so I informed the students there that if I were to be asked again to edit their newspaper, then they'd first need to have their reports proofread by someone who knew both Korean and English. I don't think that I was asked again . . .

I'm therefore quite pleased to find the Ewha Voice reporters so competent at English. I still have to rewrite a good deal to attain a more natural English style, but I can do this relatively quickly because I understand what has been written.

That editing is mostly out of the way for this weekend . . . but those 50-odd essays yet await.

And that's how I spent En-Uk's birthday . . .

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Friday, May 13, 2011

En-Uk's Ozark Art?

My paternal Aunt Kathryn recently requested Ozark art from my eleven-year-old son, so he's been blogging away on his art blog, fulfilling her request. He began with one titled "The Ozarks," but it looks more like "The Ozark Highway":


Here's what he wrote, in his usual, informative manner:
This drawing is called "The Ozarks." I made this drawing because I like the Ozarks, and, also, this drawing is for my father's Aunt Kathryn. Bye.
He followed this with an image of "Uncle Cranford," one my father's brothers:


And he wrote, again by way of information:
This drawing is called "Uncle Cranford." I made this drawing because Aunt Kathryn requested pictures of people in the Ozarks. Bye.
This was then followed by "Uncle Woodrow," another of my father's brothers:


About Uncle Woodrow, En-Uk wrote a bit more of a personal note:
This drawing is called "Uncle Woodrow." I made this drawing because it was fun fishing with uncle Woodrow. Bye.
He followed this with an image of "South Fork":


Of which, returning to his elliptical informative style, En-Uk wrote:
This drawing is called "South Fork." I made this drawing because I like the South Fork River in the Ozarks. Bye.
Followed by an abstract drawing titled "South Fork Restaurant":


Of this odd object, he wrote, again adding a rare personal touch:
This drawing is called "South Fork Restaurant." It is in the Ozarks. I made this drawing because they have good food. Bye.
Then came a singular critter called "Ozark Turtles":


About this unexpectedly plural entity, he wrote:
This drawing is called "Ozark Turtles." I made this drawing because I like the turtles in the Ozarks. Bye.
Then came another strange entity, my brother John, known to En-Uk as "Uncle John":


About John, my son wrote an entire tome:
This drawing is called "Uncle John." I made this drawing because Uncle John is funny. He believes in God. He is a pastor in a Baptist church. He is silly. He plays with me and Sa-Rah. He likes eating. It is fun to play with him because he plays like a kid. I think it would be good if he would be more like an adult. He likes cake. He dosn't like garlic. He dosn't like vegetables. He is like me! He thinks well. It would be good if he could play soccer. He goes to the creek with me. He does a lot of stuff with me. He is tall. He likes to eat fatty foods. He likes frosted cake. It is good to have a humorous uncle like Uncle John. Bye.
What can one add to all that? Well, perhaps one more image, for Uncle John had to come from somewhere, so En-Uk depicted my mother, but titled her "Granma," of course:


About her, En-Uk wrote no tome, but he was at least personal:
This drawing is called "Granma." I made this drawing because I like to meet granma in the Ozarks. Bye.
The Ozark art will likely continue daily for several days, so check in at En-Uk's Art Blog, beginning with the post of May 13th, 2011.

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Monday, April 25, 2011

En-Uk's Spaced-Out, Toilet-Trained, Conference-Attending Horse?

My eleven-year-old son, En-Uk, is still posting his art over at his art blog, and he recently posted this thing that he calls "Space Craft":


About this image, he wrote:
This drawing is called "Space Craft." I made this drawing because I like space crafts. Bye.
I had a slight difference of opinion:
Next time, show the entire spacecraft, not just the toilet!
But my friend Kevin Kim offered an entirely different perspective:

Horse angrily pounds conference table to get everyone's attention.
Interesting. I can see that. And as I recall, a horse's ass once did that with his own shoe in the UN. Anyway, Kevin later sent the image below:


And he wrote this message by way of explanation:
Attached is a gift for En-Uk, done up roughly in his current drawing style, in which I've fleshed out my vision of the horse pounding angrily on the conference table. The rectangle in the picture surrounds En-Uk's original artwork, which inspired the rest.
I think that it's great! Thanks, Kevin, from En-Uk and me.

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Sunday, March 27, 2011

Dario Rivarossa inspires En-Uk Sequoya Hwang!

As I noted some days ago, my multitalented cyberfriend Dario Rivarossa has started his own art blog, and I wonder if he might have been inspired to do so by my son, En-Uk, who has been maintaining an art blog for over a year now and has caught Dario's attention with some of the images drawn. Whatever Dario's source of inspiration, his own blog has in turn now inspired En-Uk to post an art entry nominating Dario's blog, (He)Art by dhr, for a Liebster Award.

Here's the specific art blog entry by Dario, titled "Meek Hell Angel," that inspired En-Uk:


And below comes the image drawn by En-Uk in response, "Monster Grasshopper":

Moreover, I now see that Dario has already seen En-Uk's blog entry and blogged on it here! The art world moves fast -- so quickly that one must run as fast as one can just to stay in one place!

One just can't keep up, though maybe two can . . .

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Saturday, February 19, 2011

"Duck, I say."

Yesterday, on my En-Uk's Art Blog, my son drew a California surfer with a surfboard crammed into his mouth:


Just kidding. It's actually a drawing of a rude little boy sticking out his enormous, yellow tongue. Nah, still just kidding. That would be unforgiven.

He actually titled it: "The Strong Duck." I liked the image immediately upon seeing it when En-Uk asked me to proofread his English before he posted it to his blog, and I laughed out loud. Here's what my son wrote:
This drawing is called "The Strong Duck." I made this drawing because I like "The Strong Duck" comedy I made. Bye.
Dario Rivarossa liked it, too:
Wond-er-ful! I will draw him myself, then send you the picture by email through Daddy, ok?
Dario sent his own 'strong duck' drawing:


I think Dario's rendition deserves the title, "The Stronger Duck," for it's obviously more muscular, displaying those 'dukes of death', and even resembles a superhero . . . though I'm not sure that it fits the bill as a stand-in for En-Uk's duck. Dario, by the way, asked the question that's on all our minds:
What does the comedy deal with? (In brief.)
Yes, on all our minds is the topic of brevity! I debriefed En-Uk and briefly reported:
It's a divine comedy: The Strong Duck is searching through the universe for God because he holds God at fault for his appearance and is going to demand that He pay the bill, but the joke's on the duck because his looks don't stem from unnatural selection at all but from a natural process of adapting to being a bottom feeder, which strikes the duck as an insult, for he misunderstands God's description of the adaptation, so he challenges God to a duel, and . . . but I've already said too much.
As the Koreans say, "If you know too much, you will die." Or at least one Korean said that once, in a conversation class that I taught one time in an English Academy about ten years ago in Daegu. But no matter who said it, or how many times, or where it was said, it's true.

Think, for instance, of Adam and Eve . . .

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Friday, February 11, 2011

En-Uk and Sa-Rah: Squabbling Siblings or Arguing Artists?

My children appear to be competing for aesthetic honors, or perhaps sniping out of sibling rivalry, but I'll let readers judge. Here's one of En-Uk's latest artistic efforts, direct from his art blog:


He calls this artwork "My Home" and identifies it as the national flag of En-Ukistan! I had noticed him growing rather hegemonic around the apartment lately.

Sa-Rah, however, is not surrendering without a fight. Here's her effort, which she calls "Imaginary Creature Uk-En":


The drawing doubles as a homework assignment for her online homeschooling course in . . . uh, 'science', which also required a description of this imaginary creature and its special adaptations:

My imaginary creature is called Uk-En. It has a very big head compared to its long slim legs and arms. There are no male or female Uk-Ens. They are all neuter, and to reproduce they have to eat 50 kg of Danish chocolate and 30 kg of Swiss cheese, and when they digest and excrete, the baby Uk-En comes out. The baby Uk-En is covered with a hard brown layer that is a mixture of chocolate, cheese, and liquid vitamins that help the baby grow up immediately so that it can live on its own -- the parent gets stunned and passes away after seeing how awful the baby looks because it can't believe the baby is actually its own: the parent has never looked in a mirror.

All Uk-Ens work as models with its long skinny legs, and all the fat that they get from eating goes to their brain, changing into the brain energy that makes them extremely intelligent. This helps them stay skinny. Uk-Ens are extremely smart creatures that have also made a new standard of beauty. Everybody loves them!
Everybody loves them . . . excepting their parents, apparently, who die of embarrassment! I'm beginning rather to understand that feeling myself.

I suppose that I ought to reflect well on all this . . .

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Saturday, December 25, 2010

A Happy Mutant X-Mas from En-Uk Sequoya Hwang

While every normal person is preparing to celebrate Christmas, a perverse Mutant X-Mas is being prepared at the South Pole as mutant penguins frolic in the summer wonderland:



Mutant Santa Claws chortles as he visualizes the joyful horror ahead:



The many cloned mutant elves prepare mutant gifts:



Gifts such as X-Mas Present Zombies, a must offering for every mutant child:



But first, all must be delivered -- and here come the reindeer to do so! On Dasher!



On Dancer!



On Prancer!



And Vixen!



On Comet!



On Cupid!



On Donner!



And Blitzen!



And last, but not least: On Rudolf, you Mutant Reindeer!



The team of mutant reindeer fly towards a mutant home, its door graced by a mutant wreath:



Within awaits a mutant X-Mas tree:



But mutant Santa Claws drops straight down the chimney and into a flaming mutant fireplace, his false beard getting dreadfully singed!



And thus ends another successful Mutant X-Mas. Happy Holidays everyone, from all of us here at mutable Gypsy Scholar!

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Wednesday, December 08, 2010

Rudolf the Mutant Reindeer, by En-Uk Sequoya Hwang


My son, En-Uk is getting into the holiday spirit on his art blog . . . in his own inimitable way:
This drawing is called "Rudolf the Mutant Reindeer." I made this drawing because I like Rudolf the Mutant Reindeer. His nose glows like something radioactive.
I'd never before heard of Rudolf the Mutant Reindeer, but his being a mutant explains the otherwise inexplicably glowing red nose. This Rudolf even looks suspiciously carnivorous for a mere herbivore. Santa better watch out. I appreciate this perverse spirit of Xmas, like something out of The Nightmare Before Christmas, so I left a comment over at En-Uk's Art Blog:
I like this one. Now, what about the other eight tiny reindeer? You know, Donner and Blitzen and the others? Are they also mutants? Can we see them, too?
Maybe En-Uk will start as series to illustrate a reinterpreted version of "Rudolf the Red-Nosed Reindeer" and post them all on his blog.

In time for Christmas, if we're only naughty enough . . .

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Sunday, October 17, 2010

Everybody NOT Draw Muhammad Day

Readers will recall that a few days ago, I announced this Sunday to be "Everybody NOT Draw Muhammad Day" because I believe "that we must all stand up for our right not to draw Muhammad, else even that right will be taken from us!"

The response has been overwhelming. Among the billions of people who didn't draw Muhammad were three artists who went to the trouble of sending in their non-depictions of Muhammad. First and foremost is Dario Rivarossa, with the punny That's Not M!

That's Not M!
Dario Rivarossa

Mr. Rivarossa's work, with its vertiginous perspective from the upper heights of skyscrapers and its swirl of bright colors against a gray background, appears to portray Spiderman swinging through NYC's urban jungle, and perhaps another superhero as well, possibly Daredevil. Obviously not Muhammad!

Next comes a work sent in by Horace Jeffery Hodges, imaginatively titled Not Muhammad:

Not Muhammad
Horace Jeffery Hodges

Mr. Hodges, in a simple facial sketch against an even simpler, bold-red background, takes particular pains to ensure there be no misunderstanding, that this is not Muhammad! But is it also not art?

And finally, we see a true masterpiece of not-Muhammad art, En-Uk Sequoya Hwang's Daddy:

Daddy
En-Uk Sequoya Hwang

Mr. Hwang's drawing is a bold postmodernist colored sketch that appears to allude to the Cubists with the triangular slap of black to his father's face, but the drawing also recalls the ancient Egyptian manner of portraying heads from the side rather than the front. There might also be an allusion to a famous sketch of Darwin, given the massive brow. At any rate, you see that Mr. Hwang's art looks nothing like Muhammad. Of course, it also looks nothing like me . . .

There we have it! Three great works of astonishing artistry not depicting Muhammad. Our right not to draw Muhammad is safe.

I hearby declare "Everybody NOT Draw Muhammad Day" to have been an astounding success!

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